

These letters are not just of use to the would-be poet, but contain so much good advice and insight into life that they would be worth reading for anyone who does not quite know what to do with themselves.


At the end of this volume we have a brief section covering the context of what Rilke was doing around the time when he wrote each of these letters, which is useful to have. We do not have here the letters that Kappus wrote to Rilke, as these letters were only published years later by Kappus, who naturally did not have the copies of the letters he himself sent. He is kindly and helpful, and has much insight on the difficulties of life. Rilke is very sympathetic and understanding in these letters. It was only years later that Rilke receive the intense bout of creative inspiration that led to his writing the scores of poems of the celebrated Duino Elegies and Sonnets to Orpheus which he completed over a few weeks in 1922. Though he had already published two collections of poems which had made him relatively well-known, he was in a rut throughout much of this period, travelling around and working on various things, including a study of Rodin whom he got to know quite well. This was an interesting time for Rilke, who throughout was struggling to work productively. Franz Kappus wrote to Rilke who had been at the same military school as Rilke around a decade earlier, and received this letters in return to his ongoing correspondence between 19. These ten letters from the poet Rilke’s contain not only advice on poetry and writing in general, but advice on many of the facets of life itself. These letters, which explore many of the themes that later emerged in Rilke's best works, remain a captivating source of insights into the artistic identity and process.

The poet offered his young correspondent further advice on developing a rich inner life as well as guidance on broader philosophical and existential issues. This seemingly dismissive letter proved to be the first of ten, written during a six-year period that coincided with an important stage in Rilke's artistic development. Rilke declined to offer a critique, instead encouraging the student to rely upon his own inner judgment: "Nobody can advise and help you, nobody. A 19-year-old student sent Rilke some of his verses, seeking an opinion of their worth. Born in Prague when it was part of the Austro-Hungarian empire and recognized today as a master of verse, poet Rainer Maria Rilke was considerably less well known in 1902 when he received a heartfelt letter from an aspiring poet.
